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Partin' Shots - (Level V) Blues, quarter note = 112. Commissioned by the Rob Parton JazzTech Big Band for its debut compact disk (Sea Breeze SB CD-112), this Monk-ish blues begins with open piano and bass solos. Flute and muted trumpet carry the tune over a two-feel, repeated by the trombones as the ensemble answers. A four-voice trumpet soli swings into an open trombone solo. Backgrounds build to a shout, the piano recaps the quirky melody, and the band tags it to end. If you've got the players, this chart will excite the blues groove of your band. Alto I doubles on flute. 8 Brass
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by Antonio Garcia
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Hang Time - (Level V) Get your trombone section to "hang out" in the practice room on this five-bone section feature. The trombones deliver the tune in harmony, play a brief soli, and the band sends off the soloists. Fourth trombone solos over G and Gm blues, third over G blues. Fifth trombone plays a "walking bass" written solo line under an A blues woodwind soli, then the first and second trombones trade fours over an A minor and G blues. The band briefly recaps, and the trombones close the tune with flair. Alto I doubles flute; Alto II and Tenors double clarinet; Bari doubles Bass Clarinet. An optional trumpet part extends the range to A6. 9 Brass
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by Antonio Garcia
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(Level III) Bones At The Ready Composed for and premiered by the
2010 International Trombone Festival Jazz Choir, members ages 20 to 80. A Bb
swing blues, playable by as few as four performers or as a larger choir.
Everyone gets a piece of the melody at some point. Lead part rises only to Ab
above the staff. The provided drum set part is optional. Solo space is provided
for each chair; but the chart performs wonderfully even if no one solos, as the
stop-times and riffs make for excellent passages on their own. It can easily be
opened up for additional soloists, including non-trombone guests. Works as an
opener or closer. This composition is dedicated to my older
brother, José, who played trombone in high school and was a great example of
musical interest, passion, dedication, hard work, and enjoyment.
Trombone Choir plus Drums
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
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View all charts by Antonio Garcia
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Extra Crispy (8 Brass) (Level 4) This swinging blues with a bridge features trumpet and trombone. The solo section is followed by a very hip layered sectional soli passage. Written for the U.S. Army Jazz Ambassadors appearance at the annual convention of the International Association of Jazz Educators.
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
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View all charts by Eric Richards
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(Level II+) A straight 8ths funky groover that features a tenor and trumpet soli on the melody. The solo form is an extended blues. Originally written for the Kansas Music Educators Association Southwest High School Regional Jazz Ensemble. Level II+.
8 Brass
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by Ben Markley
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Blue Moon - PDF Download Big Band with Vocalist - PDF Download This "tongue-in-cheek", rompin' blues caricature is a lot of fun! It features "crunch" guitar, baritone sax and trombone on the head with lots of solo space for all likely suspects. Tenor saxophone optionally doubles on piccolo, which adds a great deal to the piece, but is not critical. Guaranteed to keep your band and your audiences on their toes! Soprano saxophone lead.
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
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View all charts by Eric Richards
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A Minor Excursion (Level IV) This swinging chart is especially fun for the trombone section! There are several good melodic lines for the trombones, including a chorus of minor blues in the middle with the main melody in an a cappella setting. Yes, it’s exposed, but very playable and rewarding for the performers. Solos are for piano and tenor sax. (8 Brass)
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by David Caffey
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(8 Brass) A 16-bar minor blues form is where this chart gets its name. The soloist featured is the guitarist, but it could be passed to other players as well. With several straight-ahead big band shouts and a contrapuntal treatment of the theme statement, this chart has a lot to offer the band. Especially rewarding is a virtuoso soli for flugelhorn, alto, tenor, bari and trombone. Written for 4 trumpets and 4 trombones. There is one double - flute on the 2nd tenor part (a melody part which could be optional).
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by David Caffey
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(Level III) Hey Momma’ Blues - PDF Download is a medium swing blues, written to capture to essence of the 1950s Count Basie Orchestra, is appropriate for high school groups as well as college and professional bands. It features solos for piano, lead alto, and lead trombone. This chart could easily be opened up for extended solos. Hey Momma’ Blues includes a sax soli and contrast-ing ensemble shout sections which build to an exciting finish. (8 Brass)
Please email or call Rex at 970-351-2492 [email protected] for Hey Momma Blues Score.
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by Steve Kovalcheck
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(Level IV) Cool and Blusey 8 Brass
View all charts by Jack Cooper
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(Level II+) A straight 8ths funky groover that features a tenor and trumpet soli on the melody. The solo form is an extended blues. Originally written for the Kansas Music Educators Association Southwest High School Regional Jazz Ensemble. Level II+.
8 Brass
View all charts by Ben Markley
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(Level IV) This contemporary medium-swing tunes features a front line of tenor and trombone and the challenging changes will give your players something to dig into. The engaging opening gives the drummer a chance to show his skills on the brushes. This chart will allow the band to showcase musical concepts of blend, intonation and independent section work as it slowly builds in intensity to the end.
8 Brass
View all charts by Paul McKee
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(Level III) L' Homard Bleu's is a perfect choice for a high school big band who wants to focus on an exciting, riff based, medium Bb blues. Written in the Count Basie Orchestra style, it features both tenor players, along with trombone, although anyone can solo on this very flexible chart. The guitar player has specific instructions on how to propel the band forward with a Freddie Green style. The climax featuring both tenor saxophonists, as they solo back and forth from one another. The Cobequid Educational Center Jazz Ensemble in Turo, Nova Scotia ,Canada commissioned this chart. No doubles. 7 Brass
View all charts by Steve Haines
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(Level III) La Verne City Blues, by Brian Owen, is an excellent blues vehicle for younger band. Intended as a chart for Middle and Junior High School bands, it provides a chance to feature the soloists of the band. A great little march section leads into the solo section where your tenor 1, trumpet 1, and trombone 1 can be featured. A challenging but rewarding shout section follows the solos. Lots of opportunity to provide excitement throughout this chart! 8 Brass - Rhythm Section parts written out.
View all charts by Brian Owen
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(9 Brass) (Level 4) A medium "Thadish" blues dedicated to a particular Warner Brothers cartoon. There are solos for bari sax, bass trombone and trumpet.
View all charts by Vince Norman
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Blues for a Bad Hair Day (9 Brass) (Level 4) This "tongue-in-cheek", rompin' blues caricature is a lot of fun! It features "crunch" guitar, baritone sax and trombone on the head with lots of solo space for all likely suspects. Tenor saxophone optionally doubles on piccolo, which adds a great deal to the piece, but is not critical. Guaranteed to keep your band and your audiences on their toes! Soprano saxophone lead.
View all charts by Eric Richards
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Extra Crispy (8 Brass) (Level 4) This swinging blues with a bridge features trumpet and trombone. The solo section is followed by a very hip layered sectional soli passage. Written for the U.S. Army Jazz Ambassadors appearance at the annual convention of the International Association of Jazz Educators.
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View all charts by Eric Richards
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(Level III) Medium tempo, swinging blues in C with a bridge after intro (which includes trumpets crowing, then "clucking" with plunger mutes), catchy riff-like melody is stated in saxes, with written piano (could be ad-lib answers for more experienced players), then brass responses--leading to a center solo section. Changes are printed in tenor 1, trombone 2, and trumpet 2, with cued notes in each part to be played if not soloing. Driving thematic tutti writing provides a good opportunity to develop swing ensemble playing. A subsequent breakdown section provides another solo opportunity (changes provided in trumpet 2 and piano, with "clucking" and "fluttering" brass and sax background figures respectively), into a solo drum break and building to a big finish. Designed to knock the barn doors down among poultry frivolity. Sample piano comp voicing in the solo section and a written bass line throughout make this piece suitable for high school and college bands with less experienced rhythm sections as well as more advanced groups wanting a fun piece that swings hard. 8 Brass
View all charts by Bruce Wermuth
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(8 Brass) As a tribute to a cat with serious equilibrium problems, this medium-swing blues tune features a simple yet rhythmically interesting melody and programs equally well as an opener or in the middle of a set. The arrangement is for eight brass, five saxes (no doubles) and rhythm section (drums, bass, guitar and piano). There are solo changes in all the parts and the rhythm section parts have lots of written notes as well as chord symbols to accommodate various skill levels.
View all charts by Gregg Akkerman
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(8 Brass) A 16-bar minor blues form is where this chart gets its name. The soloist featured is the guitarist, but it could be passed to other players as well. With several straight-ahead big band shouts and a contrapuntal treatment of the theme statement, this chart has a lot to offer the band. Especially rewarding is a virtuoso soli for flugelhorn, alto, tenor, bari and trombone. Written for 4 trumpets and 4 trombones. There is one double - flute on the 2nd tenor part (a melody part which could be optional).
View all charts by David Caffey
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(Level IV) As recorded by the Count Basie Orchestra as well as by the Clayton-Hamilton Jazz Orchestra, this medium-swing blues features piano and trumpet. A screaming shout chorus leads back to the melody and a surprise (false) ending. 8 Brass
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View all charts by John Clayton, Jr.
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(8 Brass) This John Clayton original is a medium-swing minor blues that ranges from soft subtle harmonies to full blowin' shouts! Solos for tenor and trumpet.
View all charts by John Clayton, Jr.
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(10 Brass) A tour de force that will challenge any band. Fast Bb blues features a Freddie Hubbard transcription arranged for all the horns, but particularly trumpets. Requires an outstanding trumpet section, but will most definitely show them off if you've got them! Solos for trumpet and alto. Recorded on North Texas State University's Live in Montreux '83 album and UNC's Alive XV.
View all charts by Larry Engstrom
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(10 Brass) A recollection of music from two eras that goes back and forth between a medium tempo, 12/8ish blues and a fast shuffle.
View all charts by Clare Fischer
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Hang Time - (Level V) Get your trombone section to "hang out" in the practice room on this five-bone section feature. The trombones deliver the tune in harmony, play a brief soli, and the band sends off the soloists. Fourth trombone solos over G and Gm blues, third over G blues. Fifth trombone plays a "walking bass" written solo line under an A blues woodwind soli, then the first and second trombones trade fours over an A minor and G blues. The band briefly recaps, and the trombones close the tune with flair. Alto I doubles flute; Alto II and Tenors double clarinet; Bari doubles Bass Clarinet. An optional trumpet part extends the range to A6. 9 Brass
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by Antonio Garcia
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Partin' Shots - (Level V) Blues, quarter note = 112. Commissioned by the Rob Parton JazzTech Big Band for its debut compact disk (Sea Breeze SB CD-112), this Monk-ish blues begins with open piano and bass solos. Flute and muted trumpet carry the tune over a two-feel, repeated by the trombones as the ensemble answers. A four-voice trumpet soli swings into an open trombone solo. Backgrounds build to a shout, the piano recaps the quirky melody, and the band tags it to end. If you've got the players, this chart will excite the blues groove of your band. Alto I doubles on flute. 8 Brass
View all charts by Antonio Garcia
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It's a hard driving unconventional blues with lots of counterpoint and unique chord progressions. Ad-lib solos (with background) for guitars four and five. Momentum is generated by the high energy bass part. Written for six guitars, bass and drums.
View all charts by Pete Hankinson
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(Level V) This is what you get when you mix blues with a Latin feel. The fast waltz begins and ends in 4/4, yet feels just right. Trombone and trumpet play the line in octaves. Two choruses of ensemble build to a rhythmically exciting kick off to the trombone solo. The ensemble returns as a transition to the trumpet solo. The band metrically modulates to a slower 4/4 as a change of pace from the fast 3/4 and shifts back to the fast waltz in the middle of the trumpet solo. Then, the band overlaps the last trumpet solo and returns to the original theme. The two soloists trade eights at the end before a climax in 4/4. A final chord is like an afterglow, hangover heat remaining after the burning chart. 8 Brass
View all charts by Bert Ligon
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(Level IV) Medium-tempo, Woody Herman-style big band blues with solo spots for tenor and trumpet. Can be opened for other solos. Unaccompanied shout chorus and excellent sax soli. Selected by Down Beat Magazine in the Outstanding Composition category and recorded on the album, Let There Be Jazz, Hemet High School, Jeff Tower, Director. 10 Brass
View all charts by Jim Linahon
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(Level III) Written by John Coltrane, this minor blues is taken out of its original small group setting and arranged for big band, still keeping the melody in a combo format. Open for solos including drums. A must for all big band books. 9 Brass
View all charts by Bart Marantz
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Medium tempo blues in rock style. Written solos for alto, tenor, trumpet and trombone.
View all charts by Rich Matteson
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(Level IV) This blues/shuffle features solos for sax, trumpet and trombone. Includes a great sax soli with soprano lead. Tenor and trombone take the head, and the band joins in for the rest of the chart. Trumpet Range Option: A6 8 Brass
View all charts by Darmon Meader
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(Level III) This medium-tempo blues features linear writing in all parts built over a slippery melody introduced by bass and piano. Dense writing in the shout section leads to a recap featuring an optional piccolo doubling of the bass melody. No doubles. 9 Brass, optional piccolo
View all charts by Chris Merz
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(4 Brass, 2 or 3 Sax) Original shuffle blues with solos for alto and trumpet. Optional horn (interchangeable with trombone), bari sax, and vibes.
View all charts by Keith Bishop
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(Level IV) Medium swing. Written as a tribute to (and in the style of) a good friend and excellent pianist, Ronneka Cox. This chart features lead tenor and piano solos, as well as a short drum solo. Changes alternate between a harmonically rich textured "12-tone blues" and a straight-ahead minor blues. 9 Brass
View all charts by Adam Bartczak
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A Minor Excursion (Level IV) This swinging chart is especially fun for the trombone section! There are several good melodic lines for the trombones, including a chorus of minor blues in the middle with the main melody in an a cappella setting. Yes, it’s exposed, but very playable and rewarding for the performers. Solos are for piano and tenor sax. (8 Brass)
View all charts by David Caffey
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Hey Momma’ Blues - (Level III) is a medium swing blues, written to capture to essence of the 1950s Count Basie Orchestra, is appropriate for high school groups as well as college and professional bands. It features solos for piano, lead alto, and lead trombone. This chart could easily be opened up for extended solos. Hey Momma’ Blues includes a sax soli and contrasting ensemble shout sections which build to an exciting finish. (8 Brass)
View all charts by Steve Kovalcheck
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Groovish - (Level III) is a bluesy medium swing chart, inspired by John Clayton’s writing. It is suitable for advanced high school bands as well as college and professional groups. It features solos for piano, guitar, and second tenor saxophone. These solos could easily be extended. Groovish includes a number of ensemble shout sections util-izing call and response between brass and winds. This chart also features a soli scored for trumpet 2, guitar, alto sax 2, tenor sax 1, and trombone 1. This is an exciting chart which combines the big band tradition with a few unexpected twists. (8 Brass)
View all charts by Steve Kovalcheck
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(Level III) Bones At The Ready Composed for and premiered by the
2010 International Trombone Festival Jazz Choir, members ages 20 to 80. A Bb
swing blues, playable by as few as four performers or as a larger choir.
Everyone gets a piece of the melody at some point. Lead part rises only to Ab
above the staff. The provided drum set part is optional. Solo space is provided
for each chair; but the chart performs wonderfully even if no one solos, as the
stop-times and riffs make for excellent passages on their own. It can easily be
opened up for additional soloists, including non-trombone guests. Works as an
opener or closer. This composition is dedicated to my older
brother, José, who played trombone in high school and was a great example of
musical interest, passion, dedication, hard work, and enjoyment.
Trombone Choir plus Drums
View all charts by Antonio Garcia
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(Level 2) An exciting blues chart that features on of your women on a wailin' solo. Arranged for UNC's Sus 4. SSAA with rhythm section.
View all charts by Doug Bristol
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(Level 4) Phil Wilson is the mastermind behind this piece. Les Harris, drummer for The Ritz, took this classic, added lyrics in the style of vocalese and handed it over to Sharon who arranged it for vocals, trying to preserve the excitement of the original version. Vocal groups will learn the elements of swing in this big band classic. SATB with rhythm section.
View all charts by Sharon Broadley
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(Level IV) Up Easy, commissioned by Luis Bonilla of the Vanguard Jazz
Orchestra, is a medium swinging blues with a vamp arranged in a
modern big band jazz style. The angular melody is first stated by the Trombone
and Tenor Saxes. In the second
statement, the melody is modified in several ways and spread throughout the
entire ensemble. Solos from the Trombone and Tenor Sax, broken up by a shout
chorus, are followed by a unison trombone soli that will give the trombones a
workout. 8 Brass
View all charts by John Yao
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Originally written for the Count Basie Orchestra by Frank Foster and sung by Carmen Bradford with the Basie Band on the CD The Legend and the Legacy. It's a fun, medium swinging blues with most of the great Foster horn parts written for the choir. A great feature for your top vocal soloist. SATB (with a few 5-part sections) with rhythm section.
View all charts by Dan Keberle
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This is the classic medium blues and be-bop standard composed by Tadd Dameron and performed by Dizzy, Bird, and all the jazz greats. The chart features an angular unison melody with colorful chord substitutions on the head, and some difficult four-part writing on the bridge. Many of Dizzy's humorous quotes are included in this chart. It has tons of personality! SATB with rhythm section.
View all charts by Dan Keberle
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