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The Wayfarer's Path - (Level IV) Commissioned for string orchestra by Oakton High School in Vienna, Virginia, assisted by a grant from The Wolf Trap Foundation for the Performing Arts, during a year-long composer-in-residence term. Scored for violins, violas, cellos, basses, plus an optional substitute violin for viola part. The piece is based on repeated themes and rhythms that make the music both very lyrical and playable. There are no swing eighth-notes. Everyone gets melodic material (though not necessarily the melody itself) at various points of the work. While this piece includes no improvised solos, it is thoroughly influenced by jazz melody, harmony, and phrasing. This music is inspired by many influences, especially by various African dances that feel mixed-metered to the Western world. The title comes from the history of exploration and discovery, whether geographical, innovative, or other. Such “wayfarers” journey through many challenges towards the discoveries that add to our heritage forever. Jazz String Ensemble
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View all charts by Antonio Garcia
Antonio J. García is a performer, composer/arranger, producer, clinician, educator, and author in both instrumental and vocal genres. The former Director of Jazz Studies at Virginia Commonwealth University, he has performed as trombonist, bass trombonist, or pianist with 70 major artists including Ella Fitzgerald, George Shearing, Mel Tormé, Billy Eckstine, Doc Severinsen, Louie Bellson, Dave Brubeck, and Phil Collins. A Bach/Selmer clinician/soloist and avid scat-singer, he is Associate Jazz Editor for the International Trombone Association Journal, Past Editor of the International Association for Jazz Education Jazz Education Journal, Past President of IAJE-IL, Board Secretary of The Midwest Clinic, Past Advisory Board Member of the Brubeck Institute, is Co-Editor/Contributing Author of Teaching Jazz: A Course of Study, and authored a chapter within Rehearsing The Jazz Band and The Jazzer’s Cookbook. He is the only individual to have directed all three genres of Illinois All-State jazz ensembles: combo, vocal jazz choir, and big band. He served as a Network Expert (for Improvisation Materials) for the Jazz Education Network. His articles have been widely published; and his compositions have been published by Kjos, Hal Leonard, Kendor, Doug Beach, ejazzlines, Walrus, UNC Jazz Press, Three-Two Music, Potenza Music, and his own company. García is also the subject of an extensive interview within Bonanza: Insights and Wisdom from Professional Jazz Trombonists (Advance Music). Visit his web site at <www.garciamusic.com>
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