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Relaxed, Basie-style swing features warm, rich voicings, thoughtful backgrounds and a "rowdy" tag makes the chart a real winner. Five trombones and rhythm section.
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by Tom Matta
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Strollin' With Sammy - (Level IV) This relaxed swing chart is in the Basie style, with lyrics paying tribute to his famous composer/arranger, Sammy Nestico. It starts quietly and builds through (opt. written) scat and vocalese solos to a swinging ensemble section that will have your group and the audience snapping to the beat. This is a longer chart (6'30") that captures the pace and feel of a grooving jazz band. SATB w/ Rhythm
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by Antonio Garcia
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SWEET MAGNOLIAS • BIG BAND CHART comp. Jeff Coffin / arr. Ryan Middagh, Difficulty Level: III, Trumpet Range: B5.
Parts Included: full score, 5 saxes, 4 trombones, 4 trumpets, piano, bass, drums, guitar.
A soulful, slow, New Orleans inspired swing, Sweet Magnolias features a solo tenor saxophone. A great chart for all levels. Standard jazz ensemble instrumentation. Sweet Magnolias can be heard on Jeff Coffin's big band recording THE INSIDE OF THE
OUTSIDE and on his solo recording MUTOPIA - both on Ear Up Records.
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
View all charts by Jeff Coffin
View all charts by Ryan Middagh
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(Level IV) This chart is a jazz choir a cappella arrangement of Alfred Burt and Wila Hutson's classic tune. The chart starts with an opening verse that uses expanded harmonies, jazz waltz style, and ends with thematic material. Easy meter changes, and piano rehearsal part included. SSAATTBB a cappella
View all charts by Ron Soderwall
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SWEET MAGNOLIAS • BIG BAND CHART comp. Jeff Coffin / arr. Ryan
Middagh, Difficulty Level: III, Trumpet Range: B5.
Parts Included: full
score, 5 saxes, 4 trombones, 4 trumpets, piano, bass, drums, guitar.
A
soulful, slow, New Orleans inspired swing, Sweet Magnolias features a
solo tenor saxophone. A great chart for all levels. Standard jazz
ensemble instrumentation.
Sweet Magnolias can be heard on Jeff Coffin's big band recording THE INSIDE OF THE
OUTSIDE and on his solo recording MUTOPIA - both on Ear Up Records.
View all charts by Jeff Coffin
View all charts by Ryan Middagh
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(Level IV) Just Wait – In the style of “Lil’ Darlin’” but a bit faster, Just Wait is an accessible slow swing with plenty of traditional attitude. The harmonic language is that of Thad Jones when he was still a member of the Basie band. Solo space is for trumpet 4 and baritone saxophone. 8 brass, no doubles.
View all charts by Wil Swindler
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(8 Brass) (Level 3) Lil Darlin' approach to this standard. Trombone III, Bass and open blowing section.
View all charts by Joey Sellers
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(8 Brass) The Australian folk song gets a Billy Byers-style treatment in this slow swing chart that features trombone. As recorded by the Emerald City Jazz Orchestra.
View all charts by Matso Limtiaco
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(Level III) This great Benny Golson blues is placed in a classic, buoyant, Basie/Quincy setting. Recorded by Chuck Owen and the Jazz Surge, there are solos for trumpet and tenor (originally Benny and the late Nat Adderley) before the piece gives way to the infectious jazz march groove Benny is noted for (initially provided by an a cappella sax section). A good 'ol swingin' shout takes us back to the understated head. The chart includes a bass solo and flute lead (written in the Tenor 1 part) but remains one of Chuck's most accessible charts for school bands. 8 Brass
View all charts by Chuck Owen
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Relaxed, Basie-style swing features warm, rich voicings, thoughtful backgrounds and a "rowdy" tag makes the chart a real winner. Five trombones and rhythm section.
View all charts by Tom Matta
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(Level IV) Laid-back swing chart in the Li'l Darlin' style. Solo section for trumpet or trombone. 10 Brass
View all charts by Rich Matteson
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(8 Brass) A vehicle for a strong tenor saxophone soloist (Rich Perry on the VJO album). It features modal harmony in a slow swing groove, which builds to a high level of intensity. It also contains a litany of short solo statements by each horn player, answered by the full ensemble. 8 Brass
View all charts by Jim McNeely
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(Level IV) Jazz Nonet. Only features the trombone. It opens with a rubato theme statement; the band enters gradually around the 31-bar melody. The trombone solo threads its way around band figures; rhythmic and harmonic tension builds, then declines rapidly, leading to an open solo cadenza. There is a brief recapitulation. Harmony and key centers are advanced; the soloist must understand altered dominants and diminished-major 7th sounds. Range is not difficult. The emphasis is on blend and nuance.(flugelhorn, trombone; baritone, tenor, and alto saxes; guitar, piano, bass, drums)
View all charts by Kevin Brunkhorst
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An alto solo is the feature of this piece by Ravel. Just bass and alto sing the first 8 bars creating a nice contrast with the lush accompaniment that follows the middle section with a be-bop line for bass and baritone is also a highlight. It's a short piece that flows with a dreamy quality. SATB a cappella.
View all charts by Marion Linton
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Strollin' With Sammy - (Level IV) This relaxed swing chart is in the Basie style, with lyrics paying tribute to his famous composer/arranger, Sammy Nestico. It starts quietly and builds through (opt. written) scat and vocalese solos to a swinging ensemble section that will have your group and the audience snapping to the beat. This is a longer chart (6'30") that captures the pace and feel of a grooving jazz band. SATB w/ Rhythm
View all charts by Antonio Garcia
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