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We Wish You A Merry Christmas - Instant Download 16 Copies<br>SATB A Cappella, Level II<br><em>arr. by Morgan Ames</em> What You Gonna Call Your Pretty Little Baby/A Child Is Born - Instant Download 16 Copies<br>SSAA A Cappella, Level III<br><em>arr. by Morgan Ames</em> Some Children See Him - Instant Download 16 Copies<br>SATB A Cappella, Level III<em>arr. by Morgan Ames</em>



The well-loved holiday classic, with Morgan Ames' signature touches! SATB A Cappella, Level III.

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Two-song blend of a traditional spiritual and a Thad Jones' jazz classic. Solos meant for free interpretation. Never more than 4-parts at once including solos. SSAA a Capella.

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Christmas standard written in 50's by Los Angeles session singer, Al Burt. Viola line can be performed by synthesizer or flute. Burt's original changes are reinterpreted. SATB with parts for keyboard, l Viola.

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View all charts by Morgan Ames
Once Upon A Christmas Time - PDF Download - 16 Copies,<em> by Morgan Ames</em> O Holy Night - Instant Download 16 Copies<br>SSAA A Cappella, Level II<br><em>arr. by Morgan Ames</em> O Come With Us - Instant Download 16 Copies<br>SATB A Cappella, Level III<br><em>arr. by Morgan Ames</em>


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A beautiful treatment of this classic carol for SSAA A Cappella choir. Level III.

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SATB A Cappella, Level III

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I Wonder As I Wander - Instant Download 16 Copies<br>SSAA A Cappella, Level III<br><em>arr. by Morgan Ames</em> The Holly And The Ivy - Instant Download 16 Copies<br>SATB/SSAA A Cappella, Level V<br><em> by Morgan Ames</em> Fum Fum Fum - Instant Download 16 Copies<br>SATB A Cappella, Level III<br><em>arr. by Morgan Ames<em/>


A beautiful setting of this haunting holiday traditional song. SSAA A Cappella, Level III.

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Vintage Christmas carol arranged in 3/4 instead of the standard 4/4. Rhythmically challenging, key changes. Up tempo. SATB and SSAA, Level V.

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Easy to read 2 staves. Catalan Christmas song, sung in part English, part Spanish, up tempo. SATB, Level III.

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View all charts by Morgan Ames
Fum Fum Fum -Instant Download 16 Copies<br>SSAA A Cappella, Level III<br><em>arr. by Morgan Ames<em/> Winter Wonderland - PDF Download,<em> by Tom Matta</em> Winter Wonderland - PDF Download,<em> by Bob Washut</em>


Easy to read 2 staves. Catalan Christmas song, sung in part English, part Spanish, up tempo. SSAA, Level III.


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View all charts by Morgan Ames
Winter Wonderland (8 Brass) This medium swinger really cooks - a holiday concert MUST! Commissioned by Reference Recordings for the DePaul University Jaz Ensemble, Bob Lark, Director. Recorded by DPU on Big Band Basie. Woodwinds: alto 1 doubles on piccolo, tenor 1 doubles on flute.

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View all charts by Tom Matta
(Level III) Transcription/adaptation of Larry Carlton's unusual treatment of this classic song. A Cuban 6/4 feel yields to a traditional bossa nova. Optional solo space for tenor sax, trumpet, trombone, piano, or guitar. No woodwind doubles. 8 Brass, 5 Saxes

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View all charts by Bob Washut
Little Drummer Boy - PDF Download,<em> by Bob Washut</em> God Rest Ye Merry Gentlemen - A Cappella - PDF Download 16 Copies,<em> by David Hook</em> O Christmas Tree - PDF Download 16 Copies SATB,<em> by Grant Currie</em>
(Level II) Transcription/adaptation from Larry Carlton's Christmas album, featuring a hip, funky groove. Solos for guitar and tenor sax. No woodwind doubles. 8 Brass, 5 Saxes

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(Level III) God Rest Ye Merry Gentlemen is a singable-yet-sophisticated arrangement that offers rich voicing, colors and clusters without getting too “out there”; staying true to the mood of the old English carol. The rhythmic interplay of vocal parts frames the melody with a nice, playful “groove” that’s fun to sing as well. SATBB

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View all charts by David Hook
An upbeat a cappella version featuring close harmonies and key changes. A brief, warm rubato opening is followed by a swing scat duet, full group in major and minor keys, a foray into 3/4, then a final swing section under a scat solo. SSATTB requiring a strong bass.

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View all charts by Grant Currie
Swingle Bells X (SBS-13) - PDF Download 10 copies,<em> by Ward Swingle</em> Swingle Bells VIII (SBS-8) - PDF Download 10 copies,<em> by Ward Swingle</em> Swingle Bells VII (SBS-7) - PDF Download 10 copies,<em> by Ward Swingle</em>
Swingle Bells X (SBS-13) (Anon.) (Level 2) SSAATTBB, bass and drums. Includes "O Come, O Come Emmanuel," "Twas in the Moon of Wintertime," and "Bring a Torch, Jeanette Isabella." "Swingle Bells X" was commissioned by the Mid-America Singers and I have added it to the already existing "Swingle Bells" medleys. This one mixes Latin, Huron and French carols. I was surprised by how easily they fit together!

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Swingle Bells VIII (SBS-8) (Trad.) (Level 3) SSAATTBB, synth, bass and drums. "Deck the Halls" starts out in a fast, Mozart-like style then transforms into medium-tempo, big band feeling. "What Child is This?" has a soprano solo with some improvisational scat singing and an accompaniment in 3/4 jazz tempo.

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Swingle Bells VII (SBS-7) (Gruber) (Level 2) SSAATTBB, synth, bass and drums. Silent Night, the most famous of all Christmas melodies, doesn't require a lot of comment. The voices accompanying the alto solo simulate muted brass sounds in the first verse and become woodwinds in the second.

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View all charts by Ward Swingle
Swingle Bells VI (SBS-6) - PDF Download 10 copies,<em> by Ward Swingle</em> Swingle Bells V (SBS-5) - PDF Download 10 copies,<em> by Ward Swingle</em> Swingle Bells IX (SBS-9) - PDF Download 10 copies,<em> by Ward Swingle</em>
Swingle Bells VI (SBS-6) (Trad.) (Level 3) SSAATTBB, synth, bass and drums. "Les anges dans nos campagnes" should have a careful "fusion" of classical and jazz styles. I've arranged "O Tannenbaum" as a duet for baritone and soprano combining the German text with some scat singing. "Bel Astre que j'adore" is a simple arrangement with a soprano solo.

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Swingle Bells V (SBS-5) (Trad.) (Level 3) SSAATTBB, synth, bass and drums. The Russian carol "Schedrifka" is known in English as "Carol of the Bells." I've replaced the Russian text with fast-moving scat syllables. "Pastores a Belan" comes from Puerto Rico. It's another of the amazingly beautiful melodies inspired by the events at Bethlehem. "O du fruhliche" harks back to a more traditional choral style.

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Swingle Bells IX (SBS-9) (Hopkins/Trad.) (Level 3) SSAATTBB, bass and drums. "We Three Kings" is arranged in a combination of 3/4 and 6/8 rhythms. "The Holly and the Ivy" is in a "pop" style with a baritone solo. I chose "Jingle Bells" to end what I planned as the last medley because the first medley begins with "Jingle Bells."

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Swingle Bells IV (SBS-4) - PDF Download 10 copies,<em> by Ward Swingle</em> Swingle Bells III (SBS-3) - PDF Download 10 copies,<em> by Ward Swingle</em> Swingle Bells II (SBS-2) - PDF Download 10 copies,<em> by Ward Swingle</em>
(Trad.) (Level 3) SSAATTBB, synth, bass and drums. The Norwegian carol "O Jul med din Glede" has "bouree" rhythms contrasted with a light, jazz feeling. "Komt, Verwondert u hier Menson" (Dutch) has a "pop" style with even 8th notes. "Away in a Manger" is done as a bass solo with string-like accompaniment.

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(Trad.) (Level 3) SSAATTBB, synth, bass and drums. "El Noi de la Mare" is one of my all-time favorite melodies. It comes from the Catalan region near Barcelona. I've given the Czech carol "Hanej, nynej, Jeziski" ("Rocking Carol") a Mozart-like accompaniment, and Canzone d'i Zampagnari" some rhythms suggesting Italian folk music.

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(Trad.) (Level 3) SSAATTBB, bass and rums. "God Rest You Merry Gentlemen" is treated here in a medium-tempo jazz style including some scat singing. "The First Noel" is in a more traditional choral style whereas "Go Tell It On the Mountain" has a strong Dixieland feeling.

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A Visit From St. Nicholas (SBS-15) - PDF Download 10 Copies,<em> by Ward Swingle</em> A Visit from St. Nicholas (SBS-14) - PDF Download 10 Copies,<em> by Ward Swingle</em> Audete, Gaudete (SBS-12) - PDF Download 10 Copies,<em> by Ward Swingle</em>
(Moore/Swingle) (Level 3) SATB and Brass Quintet. This setting of Moore's famous poem was originally written for the Swingle Singers and the Canadian Brass. So that my singing group could perform this work in their own concerts, I transcribed the original version into a version for two SATB choirs. One choir sings the melodic setting of Moore's poem while the other gorup sings brief quotations from various carols. The original version has been recorded by the Canadian Brass and the Elmer Iseler Singers on their "Christmas Album."

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View all charts by Ward Swingle
(Moore/Swingle) (Level 3) SSAATTBB a cappella. This setting of Moore's famous poem was originally written for the Swingle Singers and the Canadian Brass. So that my singing group could perform this work in their own concerts, I transcribed the original version into a version for two SATB choirs. One choir sings the melodic setting of Moore's poem while the other gorup sings brief quotations from various carols. The original version has been recorded by the Canadian Brass and the Elmer Iseler Singers on their "Christmas Album."

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(Anon.) (Level 3) SSAATTBB a cappella. This adaptation of an anonymous Renaissance piece evokes Renaissance vocal and instrumental styles inwhich some of the singers are asked to imitate recorders, tabors and shaums.

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View all charts by Ward Swingle
We Three Kings - PDF Download,<em> by Dan Gailey</em> O Come, O Come Emmanuel - PDF Download,<em> by Eric Richards</em> The Wassail Song - Instant Download 16 Copies<br>SATB A Cappella (w/percussion), Level II<br><em>by Jason Heald</em>
We Three Kings (8 Brass, 5 Saxes) - Commissioned by the Boulevard Big Band and the Dream Factory, Kansas City, for their 1991 Christmas CD, this arrangement takes the original traditional Christmas song and reharmonizes the entire tune, with an alternating signature of 4/4 and 3/4 for added interest. Features a substantial tenor sax solo, but rhythm section is also prominently featured throughout on a distinct early 60's Blue-Note feel.

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View all charts by Dan Gailey
O Come, O Come Emmanuel (8 Brass) (Level 4) A contemporary "concert piece" setting of the familiar Christmas carol intended to feature either wind synthesizer or soprano saxophone (written on Reed I). This piece also requires keyboard synthesizer. The piece opens with an ethereal statement of the hymn by wind synthesizer and keyboard. This statement leads into a "GRP"-style funk groove for the improvisation, which is followed by a fugue for the brass section and a majestic finale featuring the entire group. The symphonic nature of this arrangement requires a fairly mature ensemble comfortable in both jazz and classical idioms.

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View all charts by Eric Richards


A fun and rhythmic version for a cappella choir plus percussion. Level 2.

The Wassail Song - By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.

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View all charts by Jason Heald
Bring a Torch, Jeanette Isabella - Instant Download 16 Copies<br>SATB w/Bass, Level II<br><em> by Jason Heald</em> Auld Lang Syne - Instant Download 16 copies<br>SATB A Cappella, Level III<br><em>by Jason Heald</em> Christmas in the Rain - PDF Download 16 Copies <br>SATB A Cappella, Level III<br><em> by Jason Heald</em>
Bring a Torch, Jeanette Isabella - A traditional French carol arranged as a high energy samba. It is a very accessible chart and a great opener during the holiday season. SATB with Bass.

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An inviting a cappella version for mixed voice choir, level 3.

Auld Lang Syne
- By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.

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Christmas in the Rain - An original song arranged for A cappella SATB. It's a swinging arrangement that includes a female solo.

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View all charts by Jason Heald
Sing We Now of Christmas  - Instant Download 16 Copies<br>SSATB w/Bass or A Cappella, Level III<br><em> by Jason Heald</em> Santa Claus Is Coming To Town - Instant Download 16 Copies<br>SATBB A Cappella OR w/Rhythm Section, Level III<br><em>arr. by Jeremy Fox</em> Some Children See Him - Instant Download 16 Copies<br>SATBB A Cappella<em>arr. by Yumiko Matsuoka</em>
Sing We Now of Christmas - This is a swinging SSATB arrangement of the traditional English carol. Scored with string bass accompaniment, the chart can be performed a cappella, too. A great up-tempo chart for the Christmas season! SSATB with rhythm or a cappella.

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This holiday favorite is transformed into a hard-swingin', lighthearted arrangement. It features solos for a male and female, a half chorus scat solo, and a big shout chorus finish. Light vocal percussion and a strong bass singer are necessary. You will love this harmonically challenging, yet rewarding piece! SATBB a cappella or with optional rhythm section parts.

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View all charts by Jeremy Fox
Some Children See Him - The beautiful carol by Alfred Burt and Whila Hutson opens with a tenor solo, soon joined by a warm background chorus. Serene yet gently moving forward with subtle meter and key changes. Little moments for every part to shine. Can be a wonderful counterpoint to the more up-tempo Christmas songs. SATBB A cappella

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View all charts by Yumiko Matsuoka
Santa Claus is Comin'  to Town - PDF Download - 16 Copies,<em> by Deke Sharon</em> The First Noel  - PDF Download 16 copies,<em> by Tsunenori  ''Lee'' ABE</em> Swingle Bells I (SBS-1) - PDF Download 10 copies,<em> by Ward Swingle</em>
Santa Claus is Comin' to Town (Level 3) A blend of the Motown (Jackson 5) and rock (Bruce Springsteen) versions of this modern seasonal classic, this driving yet easy to sing arrangement makes for a perfect holiday closer or encore. Melody in soprano line which can be sung as a solo or section. Vocal percussion is optional. SSATB a cappella.

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View all charts by Deke Sharon


The First Noel (Level IV)

If you are looking for a Gene Puerling-esque Christmas Carol arrangement, this is it. You will find plenty of jazz chords in this version, which says it all! SSATB a cappella

SSATBB a cappella

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View all charts by Tsunenori ''Lee'' ABE
(Trad./Trad./Praetorius) (Level 3) SSAATTBB, synth, bass and drums. This medley has a strong jazz feeling with "Jingle Bells" in a fast tempo, "Il est ne" half that fast and Es ist ein Ros' entsprungen" half as fast again. As with my Bach arrangements, this medley contains a fusion of jazz and classical styles.

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View all charts by Ward Swingle
God Rest Ye Merry Gentlemen - A Cappella,<em> by David Hook</em> The First Noel,<em> by Tsunenori  ''Lee'' ABE</em> O Christmas Tree<em> by Ted Arthur</em>


(Level III) God Rest Ye Merry Gentlemen is a singable-yet-sophisticated arrangement that offers rich voicing, colors and clusters without getting too “out there”; staying true to the mood of the old English carol. The rhythmic interplay of vocal parts frames the melody with a nice, playful “groove” that’s fun to sing as well. SATBB

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(Level IV)

The First Noel

If you are looking for a Gene Puerling-esque Christmas Carol arrangement, this is it. You will find plenty of jazz chords in this version, which says it all! SSATB a cappella

SSATBB a cappella

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(Level IV) O Christmas Tree. TTBB ac.

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Bring A Torch, Jeanette Isabella<em> by Ted Arthur</em> The Gift Within,<em> by Ted Arthur</em> Carol of the Bells,<em> by Ted Arthur</em>


(Level IV) Bring A Torch, Jeanette Isabella. SATB ac.

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(Level IV) The Gift Within This original power-ballad Christmas song states that “the greatest gift is within our heart”. Hemiola is used throughout the piece for emphasis and contrast. This two-against-three feel creates intricate rhythmic patterns. This is a “feel-good” chart that builds to a dramatic finish. Scored for solo, TTBB and piano.

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(Level IV) Carol of the Bells This is a fast-paced and ominous arrangement of the familiar tune and works well as a closer to a concert. An eighth-note motive gives a sense of urgency as the vocal lines weave around each other. This arrangement features an intricate scat section built around a rhythmic sequence. The melody soon returns over a new harmonic structure which builds to an exciting finish. TTBB w/ Piano

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