 |
 |
 |
|
Song for Everyone (Ingoma Yabantu) (Level V) Scored in C major for
vocalist, trumpet, guitar, piano, bass, and drums, this piece was created
following December 2013 celebrations of the life of the late South African
President Nelson Mandela. The melody and lyrics are suited to voice and
advocate for harmony and social justice, such as: “Hate has no place under the
sun. This is my song for everyone.” Samba provides the uplifting groove, with
Gospel feel a natural, soulful choice.
The
work was commissioned as part of an exchange program between Virginia
Commonwealth University (Richmond, VA) and the University of KwaZulu-Natal
(Durban, South Africa) and was premiered by the UKZN AsiHambe Jazz Ensemble in
March 2014 in Durban.
Everyone gets solo space at some point in the
chart: most are improvised; the bass is given a written theme. “Ingoma Yabantu”
is a Zulu translation of the title’s sentiment.
View all charts by Antonio Garcia
Antonio J. García is a performer, composer/arranger, producer, clinician, educator, and author in both instrumental and vocal genres. The former Director of Jazz Studies at Virginia Commonwealth University, he has performed as trombonist, bass trombonist, or pianist with 70 major artists including Ella Fitzgerald, George Shearing, Mel Tormé, Billy Eckstine, Doc Severinsen, Louie Bellson, Dave Brubeck, and Phil Collins. A Bach/Selmer clinician/soloist and avid scat-singer, he is Associate Jazz Editor for the International Trombone Association Journal, Past Editor of the International Association for Jazz Education Jazz Education Journal, Past President of IAJE-IL, Board Secretary of The Midwest Clinic, Past Advisory Board Member of the Brubeck Institute, is Co-Editor/Contributing Author of Teaching Jazz: A Course of Study, and authored a chapter within Rehearsing The Jazz Band and The Jazzer’s Cookbook. He is the only individual to have directed all three genres of Illinois All-State jazz ensembles: combo, vocal jazz choir, and big band. He served as a Network Expert (for Improvisation Materials) for the Jazz Education Network. His articles have been widely published; and his compositions have been published by Kjos, Hal Leonard, Kendor, Doug Beach, ejazzlines, Walrus, UNC Jazz Press, Three-Two Music, Potenza Music, and his own company. García is also the subject of an extensive interview within Bonanza: Insights and Wisdom from Professional Jazz Trombonists (Advance Music). Visit his web site at <www.garciamusic.com>
|
|
|
 |
|
 |
|