(Level V) This is what you get when you mix blues with a Latin feel. The fast waltz begins and ends in 4/4, yet feels just right. Trombone and trumpet play the line in octaves. Two choruses of ensemble build to a rhythmically exciting kick off to the trombone solo. The ensemble returns as a transition to the trumpet solo. The band metrically modulates to a slower 4/4 as a change of pace from the fast 3/4 and shifts back to the fast waltz in the middle of the trumpet solo. Then, the band overlaps the last trumpet solo and returns to the original theme. The two soloists trade eights at the end before a climax in 4/4. A final chord is like an afterglow, hangover heat remaining after the burning chart. 8 Brass
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BERT LIGON is USC's director of Jazz studies. He received his Bachelor of Music and his Master of Music in jazz piano performance and arranging from the University of North Texas. With his jazz band, Bert Ligon on Condor, he has received many awards including national PBS awards, a KATIE, a SECA, and an Emmy nomination Many of his jazz band compositions are published by UNC Jazz Press. Several have been featured on CD's recorded by the University of North Texas One O'Clock Lab Band. Ligon's book, Connecting Chords with Linear Harmony, is published by Houston Publishing, Inc. He toured with the Maynard Ferguson Orchestra, and has performed with Randy Brecker, Mel Torme, Diane Schuur, Dianne Reeves and others. Before coming to Carolina, he taught at the University of North Texas. Ligon is president-elect of the South Carolina chapter of the International Association of Jazz Educators. At USC, Ligon coordinates the jazz combos, teaches jazz theory, arranging, commercial music electronics, and applied jazz lessons.
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