 |
 |
 |
|
(Level III) Ballad For A Lovely Daughter Composed for and premiered by the
2010 International Trombone Festival Jazz Choir. An
even-eighth ballad in the key of F, playable by as few as four performers or as
a larger choir. Everyone gets a piece of the melody at some point. Lead part
rises only to A above the staff. The provided drum set part is optional. No
improvised solos. This composition is dedicated to my
stepdaughter, Kate, who entered my life when I met my then-future wife, Mary,
and is a wonderful addition to my family!
Trombone Choir plus Drums
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
|
|
View all charts by Antonio Garcia
Antonio J. García is a performer, composer/arranger, producer, clinician, educator, and author in both instrumental and vocal genres. The former Director of Jazz Studies at Virginia Commonwealth University, he has performed as trombonist, bass trombonist, or pianist with 70 major artists including Ella Fitzgerald, George Shearing, Mel Tormé, Billy Eckstine, Doc Severinsen, Louie Bellson, Dave Brubeck, and Phil Collins. A Bach/Selmer clinician/soloist and avid scat-singer, he is Associate Jazz Editor for the International Trombone Association Journal, Past Editor of the International Association for Jazz Education Jazz Education Journal, Past President of IAJE-IL, Board Secretary of The Midwest Clinic, Past Advisory Board Member of the Brubeck Institute, is Co-Editor/Contributing Author of Teaching Jazz: A Course of Study, and authored a chapter within Rehearsing The Jazz Band and The Jazzer’s Cookbook. He is the only individual to have directed all three genres of Illinois All-State jazz ensembles: combo, vocal jazz choir, and big band. He served as a Network Expert (for Improvisation Materials) for the Jazz Education Network. His articles have been widely published; and his compositions have been published by Kjos, Hal Leonard, Kendor, Doug Beach, ejazzlines, Walrus, UNC Jazz Press, Three-Two Music, Potenza Music, and his own company. García is also the subject of an extensive interview within Bonanza: Insights and Wisdom from Professional Jazz Trombonists (Advance Music). Visit his web site at <www.garciamusic.com>
|
|
|
 |
|
 |
|
