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(Level V) Composed for and premiered by my ensemble The 804 Jazz Bones at the Tromblow’in Festival 2012 in Virginia. A funk tune in D minor, playable by as few as four performers or as a larger choir. Everyone gets a piece of the melody or bass line at some point of the chart. The lead part doesn’t rise above A above the staff. The provided drum set part is optional. A bass trombonist skilled in mixed meter is required. Solo space is provided for Trombones 2 and 4 (with cues in other parts); but the chart performs wonderfully even if no one solos, as the stop-times and riffs make for excellent passages on their own. It can easily be opened up for additional soloists, including non-trombone guests. Works as an opener or closer. I can provide mp3 tracks of individual parts with click track for personal practice. The title of the work not only compliments my ensemble colleagues but was an impromptu reference to me by another colleague when one day he saw me with a few days’ growth of beard.Trombone Choir plus Drums
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
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View all charts by Antonio Garcia
Antonio J. García is a performer, composer/arranger, producer, clinician, educator, and author in both instrumental and vocal genres. The former Director of Jazz Studies at Virginia Commonwealth University, he has performed as trombonist, bass trombonist, or pianist with 70 major artists including Ella Fitzgerald, George Shearing, Mel Tormé, Billy Eckstine, Doc Severinsen, Louie Bellson, Dave Brubeck, and Phil Collins. A Bach/Selmer clinician/soloist and avid scat-singer, he is Associate Jazz Editor for the International Trombone Association Journal, Past Editor of the International Association for Jazz Education Jazz Education Journal, Past President of IAJE-IL, Board Secretary of The Midwest Clinic, Past Advisory Board Member of the Brubeck Institute, is Co-Editor/Contributing Author of Teaching Jazz: A Course of Study, and authored a chapter within Rehearsing The Jazz Band and The Jazzer’s Cookbook. He is the only individual to have directed all three genres of Illinois All-State jazz ensembles: combo, vocal jazz choir, and big band. He served as a Network Expert (for Improvisation Materials) for the Jazz Education Network. His articles have been widely published; and his compositions have been published by Kjos, Hal Leonard, Kendor, Doug Beach, ejazzlines, Walrus, UNC Jazz Press, Three-Two Music, Potenza Music, and his own company. García is also the subject of an extensive interview within Bonanza: Insights and Wisdom from Professional Jazz Trombonists (Advance Music). Visit his web site at <www.garciamusic.com>
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