(Gibbons) (Level 1) SAATB, synth, bass and drums. I adapted this famous madrigal slightly by having the soprano part sung as a solo with the other voices singing a string-like accompaniment. This is followed by a full five-voiced version. Gibbons has written some lovely counterpoint but it sometimes obscures the text.

By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.

PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.

Please email us at [email protected] for a perusal copy of this song

View all charts by Ward Swingle

MADRIGALS These arrangements were first performed by the eight-voiced Swinger Singers on microphones but can easily be done acoustically by a chamber or concert choir as long as a proper balance is kept amoung the different sections and between the voices and instruments. Close attention should be paid to the pronuncation of foreign texts. I would suggest recording a reading of the text by a language expert to use as a guide. Regarding the instrumental accompaniments: Remember that their function is to complement the sound, not to dominate it. This will often require some subtle mixing by a good sound engineer, even (and particularly) if the choir is singing without mikes. The synthesizer settings are for a DX-7, but other types of synthesizers can be used if they are capable of producing similar sounds. All Swingle octavos are sold as singles not in packs of 16. Instrumental sets are sold independently from all accompanied arrangements and must be ordered separately. Instrumental sets.